There is some disenchantment within GLBTQIQ communities over the 2012 Sydney
Gay and Lesbian Mardi Gras’ attempt to be “inclusive”. There has been some media coverage of the issue and you can join the Occupy Mardi Gras Facebook group here. Some are questioning the step toward heterosexual assimilation inclusion that the organisers have now cemented through the re-naming (read their justification here). The Mardi Gras has a history of discrimination within GLBTQIQ ranks. The name “Gay and Lesbian Mardi Gras” never really captured the alphabet soup (and admittedly, neither does the acronym that I am using here), and it wasn’t long ago that the likes of trans, bisexual and intersex people had to pass a “gay threshold” just to come to the after party. However, the new name change does nothing to embrace plurality as such- as some commentators have pointed out, why not put “Pride” at the front of the Mardi Gras title?
What I find most off-putting about the current re-branding shenanigan is the new symbol that has been chosen (to
replace sit alongside the iconic opera-house-esque logo before it), which to me, REEKS of something like this —>
Don’t get me wrong- I’m all for “Gay” Marriage, but I’m also for embracing polyamory and other pursuits – which warrant inclusivity in the Mardi Gras celebration – that are not at all captured by the new sterile and clean cut graphic. Polyamorous people might even agree that their widely used symbol has been parodied and given a whole new meaning.The new “infinity hearts” reminds us of tiered cakes, string quartets and the bridal march- where are the whips, orgies and all manner of queer fantasy machines in that?