Woman Culture and the Gendering of Pregnancy

Got to be honest not 100% sure what’s going on in those wrappers

Lecturing in gender studies I have spent a lot of time talking about how children are exposed to processes of gendering, how these operations are intensely social, and that learning about gender does not happen in a parent-centred vacuum. This happens immediately from birth (with the declaration “it’s a boy!” etc), and as Judith Butler (1990) usefully points out, the distinction often made between sex (the biological: including genitalia, chromosomes and other sex markers) and gender (assumed as the cultural interpretation of those markers) is blurry:

“…perhaps this construct called ‘sex’ is as culturally constructed as gender; indeed, perhaps it was always already gender, with the consequence that the distinction between sex and gender turns out to be no distinction at all”

This gendering can even start pre-birth, at the ultrasound, or with blood tests to determine chromosomes. Once sex is designated, an intense process is kicked into gear that involves expectations of how a child will act, what they will wear, and what their future holds (primary assumptions being, for example, that a baby designated female will be feminine, grow up to be a woman, and will one day partner with a man). As I have also discovered being pregnant, there are a whole set of gendered assumptions made between the physical experience of childbearing and the child itself – for example the idea that craving sweets means you are having a girl [*eye roll forever*]!

While I have often thought about gendering in childhood, I have attended less to how pregnancy itself is enrolled in a process of gendering adulthood. What I have experienced as a pregnant person this year has given me some insight into how intensely pregnancy is tied to the category “woman”, and in turn bound up with extremely fixed notions about biology, gender and destiny.

From vitamins to pregnancy tests, the pink and blue coding is inescapable

While I am a bisexual/queer person I am also for all intents and purposes cisgender: I am feminine presenting, use she/her pronouns, and that matches up with the expectation of being assigned female at birth (or, as I am told the pronouncement at my birth was “it’s a feminist!”…something to unpack another time). And yet, I have found the “woman culture” – or what might be more accurately termed “female culture”, emphasising biology – of pregnancy profoundly disorienting.

My first real confrontation with this (aside from the pink and blue aesthetics and white smiling women and babies of pregnancy tests and pregnancy vitamins) was at an early ultrasound. The clinic, like basically everything around pregnancy, emphasised that it was for “women” not only in its name but in every clinical detail. This included the fact I could only find a women’s bathroom there and was made to put on a smock pre-exam that was less neutral gown than actual v-neck lined puffy-sleeved purple dress. The main reception room featured a photograph of a huge pair of high heels with a caption (I’m paraphrasing here): “When the shoes didn’t fit her daughter, the mother simply reminded her she wouldn’t need toes when she was a princess”.

There is a huge emphasis on nature and the natural in pregnancy (never mind how many people used to die in pregnancy and childbirth pre-modern medicine…)

My partner, a man (*constantly* referred to in my pregnancy books and apps as my “husband” despite the fact we are unmarried…), was not allowed to come to the clinic with me and has not been allowed to any of my appointments so far, even with me crying and pleading on the phone about it after some complications, or when I had to go in for an emergency scan. While this has ostensibly been due to COVID-19 restrictions, it has not only intensely reinforced the sense that the responsibility of childbearing is mine alone, but that I am doing this as a (cis) WOMAN whose “body was made to do this” (a saying repeated over and over again to me). It has been distressing for both me and my partner to be separated in this process, and I can only imagine the homophobic layer that partners of the same gender would feel with one parent being constantly cast out.

I am not so disoriented by the physical transition of pregnancy when it comes to gender, despite the discomfort and pain – for me personally it is fun and interesting to have a growing belly, larger breasts, a body full of more blood, and I often think about how not everyone that wants to have this experience gets to. I feel very privileged. I just cannot stand the grate of being told this experience is about divine femininity that connects all (cis) women, that a (cis) woman’s identity is forged through the fires of childbirth, and that pregnancy and labour is some kind of secret business that only (cis) women can discuss with one another.

Fighting stigma and shame around periods does not have to be achieved through emphasising “womanhood”

It reminds me of when I first got my period at 14 and I was happy to have reached the puberty milestone, but also did not think much of it. My mum got really angry at me for not taking it more seriously as the transition to “womanhood” that it represented. She wanted me to celebrate. Her approach was informed by a feminism aiming to reclaim bodily processes which had been shamed and repudiated by patriarchy for centuries. But I did not feel shame, I just wanted to get on with it, and did not want to hold a party for my “entry into womanhood”. There’s a lot of feminist emphasis these days on things like periods and pregnancy because of the stigma that has otherwise surrounded them. That is totally understandable. What is harder to compute is why this has to be enrolled into a “female culture” that emphasises one’s status as woman at every turn.

It would be so easy to use gender neutral language around pregnancy, like referring to “pregnant people” rather than “pregnant women”. It would not harm anyone, it would not “erase women”, it would simply make these spaces more inclusive, and unravel the hard knot of essentialism that pervades reproductive culture. I suspect that many cisgender women enjoy having womanhood emphasised in these spaces though precisely because the misogyny of patriarchal culture means women are rarely celebrated, and pregnancy is one of the few times where one becomes a kind of special icon (where people congratulate you, make room for you on the bus, etc). However the way to resolve this issue is not to double-down on the mother-woman-biology matrix, especially given that ever more queer, trans and non-binary people are bearing children. Given the “female culture” of pregnancy it really is no surprise that it is mother-forum sites like “mumsnet” in the UK that have become the epicentre of anti-trans discourse.

Last night my partner and I re-watched Jeanie Finlay’s (2019) documentary “Seahorse” about one trans man’s experience of pregnancy. I wanted to watch it as I been reading about labour and could not think of any other cultural representations of active labour (aka how it actually happens, not the Hollywood kind where a person gives birth lying on their back). Watching Freddie’s journey through pregnancy as a now pregnant person was so soothing to me, untethered as it was from the “female culture” that has soaked every other pregnancy text I have encountered so far. Importantly in the film Freddie emphasises that his experience is *not* the same as cisgender women, precisely because of the gender dysphoria and difficult social expectations he has to navigate as a pregnant man. There is a scene where Freddie goes through all of the documents from his midwife that emphasise “mother” and “woman” and “female”, and replaces them with words that match up to his experience. Today Freddie is still fighting in court to be recognised on his child’s birth certificate as “father” or “parent”, rather than “mother”. “Seahorse” is a reminder of the small things that we could change culturally that would make a huge difference to the myriad of people experiencing pregnancy, and to thinking about gender broadly.

For now I will keep trying to find a way to navigate this fraught terrain and trying to connect with my body while holding the intense gendering at bay. I suspect this will only become more difficult, in becoming “mother”, and all of the expectations carried with that. Thinking about how we can better support people going through the gamut of reproduction without insisting on rigid gender boxes is a must on the way to loosening the grip of gender expectations in adulthood.

Trans legitimacy, existence and resistance in academia – a small selection of peer-reviewed scholarship in trans studies

The confected “debate” about the legitimacy of trans lives does not seem to be going away, and indeed is becoming a key feature of the culture wars in Australia and abroad. In recent years a small group of activists have rebranded themselves “Gender Critical (GC) Feminists” (distancing themselves from the term “Trans Exclusionary Radical Feminist (TERF)”, which they claim is a slur). Despite being marginal in their views around trans rights, GC activists continue to receive a huge amount of media attention and platforming, often in the conservative press (but sometimes also, sadly, in outlets such as The Guardian and The Conversation). Many GC activists also continue to hold senior positions in the academy, which adds legitimacy to their public commentary, despite the fact that very few of them have any expertise in gender studies and many have no peer reviewed publications on trans issues.

When we delve into the arguments of GC activists many outright deny the legitimate existence of trans people altogether, claiming, for example, that “our problem is with male people claiming to be women, regardless of how they present”. GC activists then must be understood not simply as “trans-exclusionary”, but as trans deniers.

It is absolutely crucial that media outlets and universities begin to recognise that like climate denial, trans denial is based on unscientific views that are wildly out of step with peer-reviewed scholarship. When GC activists suggest that trans rights ought to be “debated” on the basis of “free speech”, they set the terms of a highly uneven debate between their ideological perspectives vs. actual scholarship. If we focus on the actual scholarship, we see that there are many debates to be had in trans studies around identity, embodiment, race, decolonisation, the relation to non-binary identity, research methods, and more, but those discussions are completely annihilated by GC feminists suggesting that the debate should be about the very legitimacy of trans people in the first place.

In response to this outrageous and fabricated debate, I present (below) a very short introductory list of peer-reviewed scholarship in the field of trans studies that might be used to rebut the entirely unsupported claims of GC feminists, to illuminate the vast depths of the field of trans studies, and to illustrate to the media and universities alike that the “debates” are to be found elsewhere from where GC feminists claim. This is by no means an exhaustive list – there are literally thousands of articles on trans studies, and more are published each day. (There is, of course, much amazing writing published by trans people outside of the academy, my point here though being that trans studies is a huge field of academic scholarship, a point mostly overlooked in public “debates”).

If you would like to view/download a copy of this list please click here. If you think something should be added to this short list of peer-reviewed scholarship (or removed) please contact me.

Journals/special issues and key texts/readers (rebuttal to claims of “trans orthodoxy” – trans studies is not mere political polemics, it is an established and legitimate field of study)

TSQ: Transgender Studies Quarterly https://read.dukeupress.edu/tsq

International Journal of Transgender Health https://www.tandfonline.com/toc/wijt21/current

Women’s Studies Quarterly (2008) 36(3/4) Special Issue on ‘Trans-’ edited by P. Currah, L. J. Moore & S. Stryker https://www.jstor.org/stable/i27649777

GLQ: A Journal of Lesbian and Gay Studies (1998) 4(2) Special Issue on ‘The Transgender Issue’ edited by S. Stryker https://read.dukeupress.edu/glq/issue/4/2

Hypatia (2009) 24(3) Special Issue on ‘Transgender Studies and Feminism: Theory, Politics, and Gendered Realities’ edited by T.M. Bettcher & A. Garry https://onlinelibrary.wiley.com/toc/15272001/2009/24/3

Gender, Place & Culture (2010) 17(5) Special theme on ‘Trans Geographies’ edited by K. Browne, C. J. Nash & S. Hines https://doi.org/10.1080/0966369X.2010.503104  

TSQ: Transgender Studies Quarterly (2014) 1(3) Special Issue on ‘Decolonizing the Transgender Imaginary’ edited by A. Aizura, M. Ochoa, S. Vidal-Ortiz, T. Cotton, C. Balzer/C. LaGata https://www.dukeupress.edu/decolonizing-the-transgender-imaginary-1

S. Stryker & S. Whittle (eds) (2006) The Transgender Studies Reader. London: Routledge https://www.routledge.com/The-Transgender-Studies-Reader/Stryker-Whittle/p/book/9780415947091

S. Stryker & A.Z. Aizura (2013) The Transgender Studies Reader 2. New York: Routledge https://www.routledge.com/The-Transgender-Studies-Reader-2/Stryker-Aizura/p/book/9780415517737

A. Haefele-Thomas (2019) Introduction to Transgender Studies. Columbia University Press http://cup.columbia.edu/book/introduction-to-transgender-studies/9781939594273

S. Hines & T. Sanger (eds) (2010) Transgender identities: Towards a social analysis of gender diversity. New York: Routledge https://library.oapen.org/handle/20.500.12657/37306

D. Spade (2015) Normal life: Administrative violence, critical trans politics, & the limits of law. Durham, NC: Duke University Press http://www.deanspade.net/books/normal-life/

G. Salamon (2010) Assuming a Body: Transgender and Rhetorics of Materiality. Columbia University Press http://cup.columbia.edu/book/assuming-a-body/9780231149587

J. Halberstam (2018) Trans: A Quick and Quirky Account of Gender Variability. University of California Press https://www.ucpress.edu/book/9780520292697/trans

J. Serano (2007) Whipping Girl: Transsexual Woman on Sexism and the Scapegoating of Femininity. Emeryville, CA: Seal Press https://www.sealpress.com/titles/julia-serano/whipping-girl/9781580056229/

K. Bornstein and S. Bear Bergman (eds) (2010) Gender outlaws: the next generation. Berkeley: Seal Press https://www.sealpress.com/titles/kate-bornstein/gender-outlaws/9781580053778/

C. Richards, W.P. Bouman & M-J. Barker (eds) (2017) Genderqueer and Non-Binary Genders. London: Palgrave Macmillan https://www.palgrave.com/gp/book/9781137510525

Trans theory and history (rebuttal to the claim that trans is an entirely ‘new’ concept – while some terms have changed over time, trans theory continues to grow and change)

S. Stryker (2017). Transgender History, Second Edition: The Roots of Today’s Revolution. Berkeley: Seal Press https://www.sealpress.com/titles/susan-stryker/transgender-history-second-edition/9781580056908/

S. Stone ([1987] 2006) ‘The empire strikes back: A posttranssexual manifesto’. In The transgender studies reader, Susan Stryker & Stephen Whittle (eds). New York: Routledge https://uberty.org/wp-content/uploads/2015/06/trans-manifesto.pdf

J. Prosser (1998) Second Skins: The Body Narratives of Transsexuality. New York: Columbia University Press http://cup.columbia.edu/book/second-skins/9780231109345

T. Ellison, K. M. Green, M. Richardson, C. Riley Snorton (2017) ‘We Got Issues: Toward a Black Trans*/Studies’, TSQ, 4(2): 162–169 https://doi.org/10.1215/23289252-3814949

S. Stryker (2004) ‘Transgender Studies: Queer Theory’s Evil Twin’, GLQ, 10(2): 212–215 https://doi.org/10.1215/10642684-10-2-212

J. Halberstam (2005) In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York: New York University Press https://nyupress.org/9780814735855/in-a-queer-time-and-place/

L. Feinberg (1998) Trans liberation: beyond pink or blue. Boston: Beacon Press https://www.worldcat.org/title/trans-liberation-beyond-pink-or-blue/oclc/607065169

S. Stryker (2008) ‘Transgender History, Homonormativity, and Disciplinarity’, Radical History Review, (100): 145–157 https://doi.org/10.1215/01636545-2007-026

P. Califia (1997) Sex changes: the politics of transgenderism. San Francisco: Cleis Press https://www.worldcat.org/title/sex-changes-the-politics-of-transgenderism/oclc/36824894

V. K. Namaste (2000) Invisible lives: The erasures of transsexual and transgendered people. Chicago: University of Chicago Press https://press.uchicago.edu/ucp/books/book/chicago/I/bo3683192

C. M. Keegan (2020) ‘Getting Disciplined: What’s Trans* About Queer Studies Now?’, Journal of Homosexuality, 67(3): 384-397 https://doi.org/10.1080/00918369.2018.1530885

C. Adair, C. Awkward-Rich & A. Marvin (2020) ‘Before Trans Studies’, TSQ, 7(3): 306-320 https://doi.org/10.1215/23289252-8552922

M. Day (2020) ‘Indigenist Origins: Institutionalizing Indigenous Queer and Trans Studies in Australia’, TSQ, 7(3): 367–373 https://doi.org/10.1215/23289252-8553006

Transfeminist approaches (rebuttal to the claim that feminism and trans studies are incompatible – these texts look at the tensions between feminist and trans studies from transfeminist perspectives)

A. F. Enke (Ed.) (2012) Transfeminist perspectives: In and beyond transgender and gender studies, Philadelphia, PA: Temple University Press https://www.jstor.org/stable/j.ctt14bt8sf

E. Koyama ([2000] 2020) ‘Whose feminism is it anyway? The unspoken racism of the trans inclusion debate’, The Sociological Review, 68(4): 735-744, https://doi.org/10.1177/0038026120934685

V. Varun Chaudhry (2020) ‘On Trans Dissemblance: Or, Why Trans Studies Needs Black Feminism’, Signs: Journal of Women in Culture and Society, 45(3): 529-535 https://doi.org/10.1086/706466

M. Nanney & D.L. Brunsma (2017) ‘Moving Beyond Cis-terhood: Determining Gender through Transgender Admittance Policies at U.S. Women’s Colleges’, Gender & Society, 31(2): 145-170 https://doi.org/10.1177/0891243217690100

S. Stryker (2007) ‘Transgender Feminism’. In S. Gillis, G. Howie & R. Munford (eds) Third Wave Feminism. Palgrave Macmillan, London. https://doi.org/10.1057/9780230593664_5

V. Namaste (2009) ‘Undoing theory: The “transgender question” and the epistemic violence of Anglo-American feminist theory’, Hypatia, 24(3): 11–32 https://www.jstor.org/stable/20618162

C. Heyes (2003) ‘Feminist solidarity after queer theory: The case of transgender’, Signs: Journal of Women in Culture and Society, 28 (4): 1093–120 https://doi.org/10.1086/343132

C. Awkward-Rich (2017) ‘Trans, Feminism: Or, Reading like a Depressed Transsexual’, Signs: Journal of Women in Culture and Society, 42(4): 819-841 https://doi.org/10.1086/690914

A. Tudor (2019) ‘Im/possibilities of refusing and choosing gender’, Feminist Theory, 20(4): 361-380 https://doi.org/10.1177/1464700119870640

S. Hines (2019) ‘The feminist frontier: on trans and feminism’, Journal of Gender Studies, 28(2): 145-157 https://doi.org/10.1080/09589236.2017.1411791

Trans harassment, discrimination, erasure, surveillance (rebuttal to the claim that trans people are villains/perpetrators rather than a highly surveilled and persecuted minority – these texts provide empirical evidence and analysis of the issues faced by trans people and communities)

T. Beauchamp (2019) Going Stealth: Transgender Politics and U.S. Surveillance Practices. Durham: Duke University Press https://www.dukeupress.edu/going-stealth

B. Colliver & A. Coyle (2020) ‘“Risk of sexual violence against women and girls” in the construction of “gender-neutral toilets”: a discourse analysis of comments on YouTube videos’, Journal of Gender-Based Violence, 4(3): 359-376(18), https://doi.org/10.1332/239868020X15894511554617

K. Bender-Baird (2016) ‘Peeing under surveillance: bathrooms, gender policing, and hate violence’, Gender, Place & Culture, 23(7): 983-988 https://doi.org/10.1080/0966369X.2015.1073699

J. James (2021) ‘Refusing abjection: transphobia and trans youth survivance’, Feminist Theory, 22(1): 109-128 https://doi.org/10.1177/1464700120974896

C.L. Quinan (2017) ‘Gender (In)Securities: Surveillance and Transgender Bodies in a Post-9/11 Era of Neoliberalism’. In M. Leese & S. Wittendorp (eds), Security/Mobility Manchester: Manchester University Press, pp. 153-169 https://www.manchesteropenhive.com/view/9781526108364/9781526108364.xml

A. Lubitow, JD. Carathers, M. Kelly & M. Abelson (2017) ‘Transmobilities: mobility, harassment, and violence experienced by transgender and gender nonconforming public transit riders in Portland, Oregon’, Gender, Place & Culture, 24(10): 1398-1418, https://doi.org/10.1080/0966369X.2017.1382451

K. Kraschel (2012) ‘Trans-cending space in women’s only spaces: Title IX cannot be the basis for exclusion’, Harvard Journal of Law and Gender, 35: 463-85 https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2138896

T. Spence‐Mitchell (2021) ‘Restroom restrictions: How race and sexuality have affected bathroom legislation’, Gender Work Organisation https://doi.org/10.1111/gwao.12545

M. A. Case (2019) ‘Trans Formations in the Vatican’s War on “Gender Ideology”’, Signs: Journal of Women in Culture and Society, 44:3, 639-664 https://doi.org/10.1086/701498

R. Rosenberg & N. Oswin (2015) ‘Trans embodiment in carceral space: hypermasculinity and the US prison industrial complex’, Gender, Place & Culture, 22(9): 1269-1286 https://doi.org/10.1080/0966369X.2014.969685

P. L. Doan (2010) ‘The tyranny of gendered spaces – reflections from beyond the gender dichotomy’, Gender, Place & Culture, 17(5): 635-654 https://doi.org/10.1080/0966369X.2010.503121

C.L. Quinan, D. Cooper, V. Molitor, A. Kondakov, A. van der Vleuten & T. Zimenkova (2020) ‘“State Regimes of Gender: Legal Aspects of Gender Identity Registration, Trans-Relevant Policies and Quality of LGBTIQ Lives”: A Roundtable Discussion’, International Journal of Gender, Sexuality and Law, 1 (1): 377-402 https://doi.org/10.19164/ijgsl.v1i1.985

D. Irving (2015) ‘Performance Anxieties: Trans Women’s Un(der)-employment Experiences in Post-Fordist Society’, Australian Feminist Studies, 30(83): 50-64 https://doi.org/10.1080/08164649.2014.99845

Negotiating trans identity/lived experience (rebuttal to the claim that trans identity is not legitimate – despite attempts at erasure, trans people continue to exist and resist)

A. Rooke (2010) T’rans youth, science and art: creating (trans) gendered space’, Gender, Place & Culture, 17(5): 655-672 https://doi.org/10.1080/0966369X.2010.503124

T.J. Jourian, S.L. Simmons, K.C. Devaney (2015) ‘“We Are Not Expected”: Trans* Educators (Re)Claiming Space and Voice in Higher Education and Student Affairs’, TSQ, 2(3): 431–446 https://doi.org/10.1215/23289252-2926410 

S. Hines (2010) ‘Queerly situated? Exploring negotiations of trans queer subjectivities at work and within community spaces in the UK’, Gender, Place & Culture, 17(5): 597-613 https://doi.org/10.1080/0966369X.2010.503116

I. Linander, I. Goicolea, E. Alm, A. Hammarström & L. Harryson (2019) ‘(Un)safe spaces, affective labour and perceived health among people with trans experiences living in Sweden’, Culture, Health & Sexuality, 21(8): 914-928, https://doi.org/10.1080/13691058.2018.1527038

A. Gorman-Murray, S. McKinnon, D. Dominey-Howes, C. J. Nash & R.Bolton (2018) ‘Listening and learning: giving voice to trans experiences of disasters’, Gender, Place & Culture, 25(2): 166-187 https://doi.org/10.1080/0966369X.2017.1334632

S. Hines (2007) ‘(Trans)Forming Gender: Social Change and Transgender Citizenship’, Sociological Research Online, 12(1):181-194 https://doi.org/10.5153/sro.1469

C. T. Sullivan (2018) ‘Majesty in the city: experiences of an Aboriginal transgender sex worker in Sydney, Australia’, Gender, Place & Culture, 25(12): 1681-1702 https://doi.org/10.1080/0966369X.2018.1553853

M. J. Andrucki & D. J. Kaplan (2018) ‘Trans objects: materializing queer time in US transmasculine homes’, Gender, Place & Culture, 25(6): 781-798 https://doi.org/10.1080/0966369X.2018.1457014

O. Jenzen (2017) ‘Trans youth and social media: moving between counterpublics and the wider web’, Gender, Place & Culture, 24(11): 1626-1641 https://doi.org/10.1080/0966369X.2017.1396204

O. L. Haimson, A. Dame-Griff, E. Capello & Z. Richter (2019) ‘Tumblr was a trans technology: the meaning, importance, history, and future of trans technologies’, Feminist Media Studies, https://doi.org/10.1080/14680777.2019.1678505

T. Raun (2016) Out Online: Trans Self-Representation and Community Building on YouTube. London: Routledge https://www.routledge.com/Out-Online-Trans-Self-Representation-and-Community-Building-on-YouTube/Raun/p/book/9780367596620

Son Vivienne (2017) ‘“I Will Not Hate Myself because You Cannot Accept Me”: Problematizing Empowerment and Gender-Diverse Selfies’, Popular Communication, 15(2): 126–140 https://doi.org/10.1080/15405702.2016.1269906

M.Y. Chen (2010) ‘Everywhere Archives: Transgendering, Trans Asians, and the Internet’, Australian Feminist Studies, 25(64): 199-208 https://doi.org/10.1080/08164641003762503

J.N. Chen (2019) Trans Exploits: Trans of Color Cultures and Technologies in Movement. Durham: Duke University Press https://read.dukeupress.edu/books/book/2636/Trans-ExploitsTrans-of-Color-Cultures-and

R. A. Pearce (2020) ‘A Methodology for the Marginalised: Surviving Oppression and Traumatic Fieldwork in the Neoliberal Academy’, Sociology, 54(4): 806-824 https://doi.org/10.1177/0038038520904918

Engagement with the “wrong body” model/trans medicalisation (rebuttal to the claim that trans theory necessarily reinforces a strict or medical model of gender)

T. M. Bettcher (2014) ‘Trapped in the wrong theory: Rethinking trans oppression and resistance’, Signs: Journal of Women in Culture and Society, 39(2): 383–406 https://doi.org/10.1086/673088

N. Sullivan (2008) ‘The Role of Medicine in the (Trans)Formation of “Wrong” Bodies’, Body & Society, 14(1): 105-116 https://doi.org/10.1177/1357034X07087533

J.R. Latham (2019) ‘Axiomatic: Constituting “transsexuality” and trans sexualities in medicine’, Sexualities, 22 (1-2), 13-30 https://doi.org/10.1177/1363460717740258

J.R. Latham (2017) ‘Making and Treating Trans Problems: The Ontological Politics of Clinical Practices’, Studies in Gender and Sexuality, 18(1): 40-6 https://doi.org/10.1080/15240657.2016.1238682

S. Vogler (2019) ‘Determining Transgender: Adjudicating Gender Identity in U.S. Asylum Law’, Gender & Society, 33(3): 439-462 https://doi.org/10.1177/0891243219834043  

A.P. Hilário (2020) ‘Rethinking trans identities within the medical and psychological community: a path towards the depathologization and self-definition of gender identification in Portugal?’, Journal of Gender Studies, 29(3): 245-256, https://doi.org/10.1080/09589236.2018.1544066

Non-binary and genderqueer subjectivities specifically (rebuttal to the erasure of non-binary identities – there is a growing field of empirical and theoretical work that looks at the complexities of non-binary and genderqueer identities and experiences)

H. Darwin (2020) ‘Challenging the Cisgender/Transgender Binary: Nonbinary People and the Transgender Label’, Gender & Society, 34(3):357-380. https://doi.org/10.1177/0891243220912256

H. Barbee & D. Schrock (2019) ‘Un/gendering Social Selves: How Nonbinary People Navigate and Experience a Binarily Gendered World’, Sociological Forum, 34(3): 572-593 https://doi.org/10.1111/socf.12517

S. Monro (2019) ‘Non-binary and genderqueer: An overview of the field’, International Journal of Transgenderism, 20(2-3): 126-131 https://doi.org/10.1080/15532739.2018.1538841

C. Richards, W. P. Bouman, L. Seal, M-J. Barker, T.O. Nieder, G. T’Sjoen (2016) ‘Non-binary or genderqueer genders’, International Review of Psychology, 28(1): 95-102 https://doi.org/10.3109/09540261.2015.1106446

S.Bower-Brown, S. Zadeh & V.Jadva (2021) ‘Binary-trans, non-binary and gender-questioning adolescents’ experiences in UK schools’, Journal of LGBT Youth, 1-19 https://doi.org/10.1080/19361653.2021.1873215

D. Cosgrove (2021) ‘“I am allowed to be myself”: A photovoice exploration of non-binary identity development and meaning-making’, Journal of Gay & Lesbian Social Services, 33(1): 78-102 https://doi.org/10.1080/10538720.2020.1850385

A. Vijlbrief, S. Saharso & H. Ghorashi (2020) ‘Transcending the gender binary: Gender non-binary young adults in Amsterdam’, Journal of LGBT Youth, 17(1): 89-106 https://doi.org/10.1080/19361653.2019.1660295

L. Nicholas (2019) ‘Queer ethics and fostering positive mindsets toward non-binary gender, genderqueer, and gender ambiguity’, International Journal of Transgenderism, 20(2-3): 169-180 https://doi.org/10.1080/15532739.2018.1505576

Emily in Paris: Sexless in the City

This post contains minor spoilers for the Netflix series Emily in Paris – tune out now if you haven’t already inhaled the show in one sitting and don’t want to know how long it takes Emily to get to Paris etc.

Emily, immediately in Paris

Emily in Paris doesn’t beat around the bush when it comes to getting its protagonist to said city. Much like a porno film of old, it begins with an extremely brief and tenuous set up including some interactions with a generic boyfriend character (who is quickly cut). Literally only four minutes of exposition later, Emily is rolling down the Champs-Élysées.

It must be said, straight up, that I would best describe this show as utter garbage. After I swiftly watched the whole series, my partner (who deftly avoided it despite being in the same locked-down house) asked me about the narrative arc of the season. The best I could muster was, “Emily succeeded in her job and slept with the guy she has a crush on”. Emily wears some truly terrible outfits, most people hate her, but a lot of men are attracted to her. She never stops working. Paris is beautiful. Not a lot happens.

Emily in bad hats

Some of my favourite cringeworthy lines from the show include:

  • [commenting on a perfume] “It smells like poetry”
  • [after meeting a brand CEO] “I actually have a Masters in Marketing”
  • [after meeting a semiotics professor] “Semiotics? The study of symbols. I have a Master of Communication” [*shrugs*]
  • [on the idea of mistresses] “I’m not somebody that can share a crepe. I want the whole crepe”
  • [on eating an actual crepe] “It’s funny how every culture has its pancake”

Emily is nominally in Paris to work at a marketing firm and provide “the American point of view”. That is indeed what we get from Emily. She is represented as the hard-working, relentlessly optimistic, severely earnest, unapologetically garish American. But most fascinating (to me), is that Emily is depicted as a strait-laced millennial feminist clashing with her lewd, openly sexual and decidedly “not feminist” French counterparts.

Distancing herself from her sexually liberal postfeminist mom, Sex and the City (SATC), Emily in Paris‘ rebellion entails: a) being au fait with feminism; and b) keeping a lid on sex (or at least keeping the covers pulled up). The creator of Emily in Paris Darren Star was also behind SATC, so there is much we can learn about the mediation of changing mainstream feminist ideas in comparing the two shows.

Emily in between her two much more interesting friends Mindy and Camille

During the 2000s SATC became the key text for feminist critique of “postfeminism” – a term used to refer to the representation of women as capitalising on feminist gains of the past while simultaneously disavowing feminism. For example, as feminist scholar Angela McRobbie remarked of shows like SATC in 2008: “These new young women are confident enough to declare their anxieties about possible failure in regard to finding a husband, they avoid any aggressive or overtly traditional men, and they brazenly enjoy their sexuality, without fear of the sexual double standard”

But while SATC was all about fucking and not mentioning the shadow of feminism, Emily in Paris is all about being a career woman who seems concerned about feminism but is extremely prudish about sex. Emily is a millennial who has come of age in a world where every white woman completed a Masters in Communication and Marketing after watching Mad Men and then became a feminist after Trump beat Hillary.

When is a gaze not a gaze

There is, however, little substance to raising the spectre of feminism rather than disavowing it. As we see in Episode 3 “Sexy or Sexist” Emily’s views on the objectification of women are only relevant insofar as they have an impact on the brand she’s working for. In this episode we see Emily watching a perfume ad being filmed. It features a naked woman strolling across a bridge being admired/ogled by men, wearing “only perfume”. Emily appears shocked after watching the ad. When asked by the brand CEO what she thinks, she suggests that the ad might be sexist, depicting the naked woman as at the mercy of the male gaze. Importantly her French boss Sylvie (set up as a wickedly unfriendly character) not only tells Emily to lighten up, she says that even though she is a woman she herself is not a feminist. Here Sylvie acts as the outdated postfeminist Other to Emily’s American feminist inclinations. When the CEO asks why the male gaze is a problem, Emily responds:

“I’m worried it won’t translate in the States. In today’s climate it could come off as politically incorrect… we just need to be sensitive to the way women are thinking now. I wanna protect your brand!”

Emily’s career mode and life mode are indistinguishable

Emily suggests sharing the ad on social media and asking women to answer the question “sexy or sexist?” to “get a conversation going and…make it part of your campaign”. In other words, taking a political position is redundant. People might think the ad is sexy or sexist, but all that matters is that they end up buying the product. The show is pulling the same move. What do feminists think about sex now? *Shrugs*

Emily represents what I have termed elsewhere “entrepreneurial feminist femininity“. This is a specifically gendered mode that means identifying with feminism, adhering to and reinforcing a rigid gender binary, and most importantly focusing on achieving individual success within the given system of gender relations rather than challenging the system. This is similar to what others have termed “lean-in feminism” or “neoliberal feminism“.

Emily’s relentless optimism always pays off

Emily is distinctly entrepreneurial in spirit. All failures are opportunities for Emily. Nothing can get her down. As Silvio Lorusso argues in his excellent book “Entreprecariat“, precarious employment mixed with entrepreneurial ideology is now the dominant mode of contemporary work, where there is no work-life balance because life is work (and we love it!). Emily in Paris embodies this on every level, with endless references to her American mode of overwork, where no boundaries exist between Emily’s personal life, her influencer life on social media, or her career as a marketing expert. Emily’s feminism is only relevant insofar as it can help her more effectively sell things.

While the show is all about Emily The Career Woman, the sexually explicit aspects of SATC era take a back seat. Despite men seemingly throwing themselves at Emily, the most risqué the show gets is Emily accidentally sleeping with a seventeen year old who gives her a hickey. It’s not even close to the explicitness of Samantha’s endless sex-marathons, Charlotte’s husband-wanking issues, Carrie’s golden-shower dilemma, or Miranda’s boyfriend fingering dramas of SATC days past. And unlike her “heteroflexible” foremothers, don’t even mention the possibility of girl-on-girl action to Emily. Emily insists – over and over – that is something that would never even cross her mind (she “likes to please men”).

My guess is that with future seasons of Emily in Paris (and yes I suspect there will be many many more) part of the grand-er arc will be that Emily becomes more enculturated into the “French ways” meaning slightly less gaudy style and in turn more (under the covers) sex. We’ll get to see just how American feminism today at once distances itself from its “postfeminist” predecessors while making similar – yet decidedly less adventurous – moves.

Of course, I’ll keep watching.

Jordan Peterson’s Insidious Alt-Right Rhetoric

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Jordan Peterson: Just wants to be your father figure and restore some chaos to this overly feminine world

There’s a lot not to like about Jordan Peterson. His critiques of gender quotas. His rise to infamy because of his stand against gender neutral pronouns. His suggestion that men are biologically programmed to assault women and that this can only be reigned in through marriage.

The problem is, he is a master of persuasion.

Even though Peterson has admitted “I choose my words very, very carefully”, there has not been enough attention on why this means he can get away with saying some pretty shocking things without widespread condemnation. Studying Peterson’s linguistic tactics reveals exactly how he seems to come across as reasonable, even when he is suggesting something heinous (e.g. that the gender pay gap is biologically determined). Peterson simply uses the oldest trick in the persuasion book: Aristotle’s ethos, pathos, and logos. Identifying these aspects of Peterson’s jargon is useful for revealing him for what he is: an “alt” right-wing crusader trying to convince the world his ideas are rational.

First, ethos. In Aristotle’s terms ethos refers to establishing one’s credibility, that is, expertise, authority, and character. That is why you will always see Peterson start off with a reference to his credentials. This opening of one of his blog posts (a rebuke to a mother’s letter about how she is glad to see Jordan Peterson fail because he is unduly influencing her teenage sons) illustrates how he does this:

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Gosh with SO many important things to do you’d think Peterson would hardly have time to complain about women

In subtle ways, Peterson establishes his authority as a lecturer, author, and spokesperson you should trust. When this is questioned he makes sure his followers know about it:

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Drawing on ethos (but also perhaps just indicates a fragile ego)

Secondly, pathos. Pathos is all about appealing to emotional sensibilities of the audience. We see it in the blog post above when he draws the reader in with reference to “thoughtful and heartfelt and positive” feedback that he gets. This sits in contrast to the end of that same blog post, where he draws on “despair”, “sadness”, “cynicism”, and “malaise” to eventually implicitly suggest that women who worry about their teenage sons becoming men’s rights activists threaten “our entire culture”.

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wow wait how did we get here

His inducement of pathos was most starkly on show during Peterson’s last visit to Australia when he notoriously “reduced himself to tears” talking about the state of the world:

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TRUE. WISDOM. TEARS.

The whole performance elicits the feeling that Peterson is just a regular guy who really cares, y’know (but also don’t forget, he is a Professor so he definitely knows better than you).

This finally brings us to logos, the crux of Peterson’s art of persuasion, and something that he has written a lot about. In general terms logos means using reason and logic. Historically, logos refers to the idea of a “principle of order“. Peterson’s particular logic involves appealing to pseudo-biological-science and vaguely Christian tenets about love, truth, and so on. Peterson’s dialogue both constructs and appeals to this “common sense” logic that underpins Western thinking. This is exemplified by his whole schtick, of defending “free speech” (not hate speech, “logic”) and his new book “12 Rules for Life: An Antidote to Chaos” (i.e. rules and logic, not chaos). Here are these so-called rules:

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How could anyone who likes to pet cats in the street be accused of misogyny my goodness

None of these rules seem as heinous as say, suggesting that incels killing women is a reasonable response to women denying men sex. He presents a front of reasonable rationality, to obscure his radical conservative agenda.

Peterson has even been sneaky enough to cover his persuasion technique tracks by suggesting that the real problem is women/feminists/nagging mothers/hysterical hags (they’re all the same thing right?) just don’t believe in logic or dialogue:

They believe that logic is part of the process by which the patriarchal institutions of the West continue to dominate and to justify their dominance. They don’t believe in dialogue. The root word of dialogue is Logos. Again they don’t believe that people of good will can come to consensus through the exchange of ideas. 

Peterson laments – if only we could all come to the table and break bread together we’d see that his logic is the true logic of the universe!

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Imagine, it must be exhausting making money off being patronising to women

All of this – pointing out Peterson’s use of ethos, pathos, and logos – is just a fancy way of saying what Harrison Fluss has more eloquently said in Jacobin: “he’s full of shit”. But, this is also a dangerous, and frankly exhausting, rhetoric that those of us on the (amorphous) left are constantly having to battle with. This is the kind of rhetoric that means when right wing protestors killed a young woman in Charlottesville, the response is that there is violence “on both sides”.

Peterson represents nothing more than the “alt” right-wing agenda promoting traditional gender roles, men’s dominance over women, white supremacy, and the rejection of gender diversity that is unfolding across the world. Deconstructing Peterson’s persuasion tactics we can see what is really going on: smooth-talking and bad politics.

A Theory of Femininity

Book cover

Released with Routledge January 2018

In January of 2018 my first book (based on my PhD research) Queering Femininity: Sexuality, Feminism, and the Politics of Presentation was published with Routledge. I also made the book into a zine for people to engage with given the prohibitive price tag. Queering Femininity engages with both an archive of Western feminist texts and interviews with self-identified queer femmes from the LGBTIQ community in Australia, in order to think through the queer potential of femininity. By ‘queer potential’ I mean, can we ever think about femininity as something that disrupts or ‘makes strange’? Or must we see femininity as always already problematic if we are to engage with it critically?

 

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My zine based on the book

As I found in my analysis of feminist texts, there is (unsurprisingly) a long history of feminist critiques of femininity, where feminine styles of the body are understood as evidence of patriarchal oppression. Here, what is identified as femininity is often collapsed into surface and “masquerade”, even when talking about behaviors or roles. This issue of feminine styles causes issues for those who identify as queer femme, who often find themselves in a space of being unrecognisable as queer in both straight and LGBTIQ contexts (they are assumed to be heterosexual). Yet, I also found that the queer femme response to the inability of the world to see the queer potential of femininity was frequently to over-invest in feminine surface styles (for example, through exaggeration or attempting to signify queer ‘mistakes’ in their presentation). It seemed to me that in many cases this contributed to anxiety about being “queer enough” – an outcome that seemed antithetical to the concerns raised by queer femmes in the first place.

The argument that I attempt to make in response to this conundrum can be summed up in this lengthy paragraph from the conclusion:

To identify precisely who will always fail and who won’t, and in which ways, coheres the normative versus non-normative in ways that misdirect our energies. The aim of all of this must be to see that everyone is failing to meet normative expectations all the time. Everyone’s gender has queer potential precisely because of this ever-present failure. How-ever, we generally only imagine failure as going in one direction: not enough. That is, failure as a failure to meet expectations. However we can also understand failure in terms of “too much”. This is the realm of the “hyper”, the “fake”, the “excessive”. We often refer to “hyperfemininity” but don’t clearly articulate what this means. But we can understand this as meaning the “too much” – too much makeup, too much hair, the heels that are too high, the dress that is too short, the breasts that are too big, the desire that is too rampant, and so on. Interestingly femme often positions itself in this space of the “too much”, the overdone, failing femininity. However, we ought not to rely on the “too much” (or the “not enough”) as our site of resistance because a new norm inevitably fills this space – the norms of not being “too much” or “not enough” (expressed as “not queer enough”). In this way, I take the idea of queer failure to be incredibly useful, but I disagree with Halberstam that “all our failures combined might just be enough, if we practice them well, to bring down the winner” (2011, 120). Under such a rubric, those femmes who would dance around so-called normativity, who manage to “pass” as heterosexual, and who fail to fail enough are sidelined as irrelevant, or assimilationist. Such a view misses the necessity of adaptability to normative fantasies, and the need to pass, or the desire to. While we might imagine a world where our desires could go in different and changing experimental directions, it cannot be overlooked that imagined normative spaces offer cruel but necessary shelters. With this recognition we need not celebrate norms or anti-norms as emancipatory, but rather see that the necessity of such spaces only emerges under conditions where survival is key (2018, 144).

One of the key points I was trying to make in Queering Femininity is that in response to oppressive constructs we too often invest in our individual bodies and identities as the site of the political. This works to dismiss the complex attachments and relations with our bodies and identities that cannot so neatly be enrolled in political projects without serious psychic consequences. Yet, we must still acknowledge that there are normative “ideals” of femininity that are celebrated and encouraged in society, and conversely there are non-normative ways of being (“non-ideals”) that are punished and regulated in violent ways.

Since publishing the book I’ve been thinking a lot more about these claims and how we can effectively think through the relationship between norms, structure, and the activism we commit ourselves to in order to challenge these ideals in productive ways.

Final femininity image

tumblr_static_1069I like to think in visual terms, and the diagram above (click on it to enlarge) is an attempt to sum up how we might connect structure, activism, and norms in a useful way. I’ve included a hammer here as a kind of nuanced update to that “If I had a hammer” image.

This above diagram relates to an Australian context, as a way to localise this discussion and acknowledge that alternative versions of this are needed for different contexts (even if structures are the same, their expression in local contexts may have wildly different effects in terms of “ideals”). This diagram reflects that “ideals” require an oppositional “non-ideal” in order to be intelligible (i.e. make sense). Yet rather than simply presenting the ideals versus non-ideals (which might suggest to the reader that we ought to invest our politics in embodying the non-ideals), this diagram attempts to unpack the activism, ideologies and structure that keep this system of ideals versus non-ideals propped up.

Picture3At the very base are the “structural foundations”, which accounts for the economic, colonial, and gendered power structures that are the foundation of the dominant organisation of social relations in this context. Flowing from this foundation, but also feeding back into it, are the dominant ideologies that invest in and maintain these social relations. For example, neoliberalism is an ideology that supports capitalism. Similarly White supremacy is an ideology that supports imperialism. Flowing from this, there are various forms of activism that respond to these ideologies in ways that either bolster these ideologies or reject them. The activism that bolsters these ideologies also works toward cementing what is understood as the “ideals”.

Picture2It is clear for example, that heteroactivism supports the feminine ideals of heterosexuality, cisgender identity, reproductive bodies, etc.

However, some activism that rejects the underlying dominant ideologies also inadvertently invests in “non-ideals” as a response. For example, lesbian separatist projects advocate for the “non-ideal” of homosexuality, as a political response to heterosexist ideologies. What this does is cement the boundary between the ideal and the non-ideal, by investing in the non-ideal.

This leads us to the heart of the debate around assimilation versus transgression: how ought we to respond politically to “ideals” without simply creating a new set of normative non-ideals in opposition?

This is where the hammer comes in. This represents activism that invests in neither the ideals nor the non-ideals as the political solution. For example, we can imagine forms of queer feminism that challenge ideologies of sexism, heterosexism, cissexism and so forth without advocating queer exceptionalism. The activisms listed on the hammer aren’t necessarily mutually exclusive, so much as drawn out to show how they might go to the heart of challenging the (capitalist, colonial, gendered) structures at the base of ideals of femininity without rejecting or investing in femininity as a style of the body.

Picture1Perhaps this is what might mark out a new wave of (feminist and other) activism around femininity: challenging gender ideals without investing in non-ideals as the political response. From such a perspective, there is no femininity that is “empowered”. Power is exerted and ideals are enforced, but the reaction to this is to focus on the structural foundations and their ideological props rather than the individual effects alone (which might for some involve complicated attachments).

I’d love to hear what you think in the comments below. Does this work at all? Is it useful? Is there anything in the wrong place, or missing altogether? What might this look like in your context? And a reminder: this is only one theory, and, a work in constant progress.

McQueen: Imagining Another World Through Fashion

This is a version of a speech I gave at the 2018 Melbourne International Film Festival (MIFF), in response to the documentary film McQueen (directed by Ian Bonhôte and Peter Ettedgui). This speech doesn’t include any spoilers per se, but does include a reflection on some of the themes raised in the film and on McQueen as a designer more broadly. 

As feminist theorist Susan Brownmiller is often quoted, “To care about feminine fashion, and do it well, is to be obsessively involved in inconsequential details on a serious basis”. Many feminists like Brownmiller have rightly condemned the dictates of the fashion industry for enrolling women in a world of consumption, gendered styles, and bodily obsession.

6ac85b292d118c70545302b58cd9a398Yet, Lee Alexander McQueen’s vision of the possibilities of fashion to affect us on a profound emotional level juxtaposes such critiques. Tracking the autobiographical aspects of McQueen’s design, this documentary offers us a sense of artistry that cuts through ordinary understandings of fashion in terms of trends, mass production, and surface.

McQueen’s early work was seen by many as explicitly misogynistic, as he explored themes of sexual violence, rape, and genocide through fashion. Yet, as we see in the documentary, McQueen explores his own fragility through the collections – the vulnerability and strength of femininity, the power of masquerade, and the armor of clothing. As he once suggested, “I want people to be afraid of the women I dress”.

However, this empowered vision of femininity that McQueen offers does not simply recover the fashion industry from critique. As we see in the narrative of McQueen’s life, the edgy and artistic possibilities of fashion are limited by broader economic machinations.

18ab929f9a04166a9c781975c29ed237McQueen described his shows as “what’s buried in people’s psyches”. One of the things that I love most about this documentary is the use of home footage from McQueen himself, which offers us an intensely intimate glimpse of the designer. We not only get a sense of McQueen’s mind – and his obsession with death, life, and beauty – most importantly I think, we get to see the tyranny of maintaining creativity despite the stifling economics of fashion.

As feminist fashion theorist Elizabeth Wilson suggests, “Capitalism maims, kills, appropriates, lays waste. It also creates great wealth and beauty, together with a yearning for lives and opportunities that remain just beyond our reach. It manufactures dreams and images as well as things, and fashion is as much a part of the dream world of capitalism as of its economy”.

McQueen struggled to fit in to the “posh” world of fashion, and to find the funds to finance his collections. The documentary also reveals the extreme pressure to produce, and how boundless creativity is funneled into measurable output.

69e5c1b4163d2ea100fca0ed2e9ea1b1McQueen once said, “My sister is an amazing artist. My brother is an amazing artist. Amazing. Much better than I am. The difference is, they thought they had no chance but to do a manual job. That really upsets me”. To survive as a designer early in his career, McQueen had to live on almost nothing, and hide his fashion work from the dole office so that he could continue receiving benefits.

We might imagine a world where everyone is supported to push the boundaries of their creative potential. More broadly than this, we might think about what fashion could look like if freed from the structures of mass production needed to finance couture collections that only the most elite in society can adorn themselves in.

But, importantly, McQueen is not a story of being a victim to fashion. While this film depicts how McQueen endured immense pressure to produce fashion for profit, we also see his interminable resistance to the distortions of the fashion world. Amid his intricate tailoring, he offered garments that were the antithesis of “ready to wear” that could only exist as they were embodied in the production of the collection shows – such as a dress of fresh flowers literally decaying on the runway. His fashion stages became theatres for musing on and digesting the cruelty of the world, with rain and snow bearing down on models, padded walls, and piles of fashion “junk” collected on stage in dramatic heaps.

1119202To quote Elizabeth Wilson again, “Out of the cracks in the pavements of cities grow the weeds that begin to rot the fabric”. In other words, while we might hold reasonable ambivalence about the nature of fashion in terms of the expectations and norms that it reproduces, fashion can also provide an experimental and resistant space for a creative reimagining of identity that “rot[s] the fabric” of these same rules.

Certainly this documentary paints a picture of McQueen as an unstoppable creative force emerging through the cracks in the otherwise cloistered world of fashion.

McQueen’s fashion cuts to the quick of our worst fears, but hints at imagining another world, another way of seeing, the romance of what lays beneath the skin. McQueen ultimately offers us an invitation to resist, to look directly at the world in all its ugliness so that we might light up the beauty at the heart of it all.

Why Trans-Exclusionary Feminism is Anti-Feminist

Isn’t it so disappointing when you realise just how problematic your favourite [celebrity/feminist/commentator/Lena Dunham] is? The most recent of these wake-up calls came when I read UK columnist Hadley Freeman’s appalling article in The Guardian, which focuses on changes to the Gender Recognition Act (2004) currently being debated in the UK. Freeman’s concern centres around “self-identification”, that is, the (apparently) radical idea that individuals can determine their own gender identity.

635974934671095018-1669878180_11.17.11news-trull-trans-activists-editFor a bit of background, the GRA allows persons to obtain a “Gender Recognition Certificate” needed in order to obtain a new birth certificate, but currently requires persons to have “lived in the acquired gender throughout the period of two years”. The current Act requires persons to “prove” their case to a Gender Recognition Panel at the end of the two year period. Changes to this process are currently being considered given that it is over-medicalised, bureaucratic and demeaning, and does not currently allow for recognition of non-binary people.

Gender-Recognition-ActIn her article, Freeman praises recent protests against the GRA changes, organised by Mumsnet (a mummy-blog-turned-radical-feminist group). As she outlines, Mumsnet activists have been flippantly identifying as men in order to access men’s-only swimming sessions, to “prove” how “ridiculous” self-identification is. The fear, according to Freeman, is that changes to the GRA will mean “predatory men could now come into female-only spaces unchallenged”. Freeman also laments trans critiques of reproductive-organ-centred feminism, but then takes a u-turn and suggests that the real problem is all of the “liberal men” she’s been fighting with lately who have been trying to defend trans women (Jeremy Corbyn to thank there in part, I imagine).

il_570xN.1149917172_8vmkI was shocked that The Guardian would run this on Transgender Day of Visibility (or at all, and without any responses in the week following), but also at the huge amount of praise that Freeman seemed to receive online for “speaking out”. Though I am a cis woman and don’t speak here as a trans person, I feel obligated to challenge Freeman. The trans-exclusionary ideas bolstered by Freeman’s article should be extremely concerning to any feminists who would like to see a world where gender is liberated from violent rules and strict social expectations. Here’s why:

1. The pathologisation of gender isn’t good for anyone
Pathologisation means determining what is “normal”, and “treating” people to better align with the “normal”. Imagine. Being subjected to a bunch of medical practitioners and psychologists considered more of an “expert” on your identity than you are. Imagine having to “prove” that you have “lived in the acquired gender” for two years (never mind how weird the terminology of “acquired” is, as if gender identity is an effect of an injury or serious accident). This whole process risks reinforcing ideas about what “acting and looking like” a man or woman involves, that is, the gender role and presentation expectations that feminists have historically fought against.

transfeminism-500x421Luckily, changes to the GRA would reduce the clinical barriers needed to have gender identity recognised, which would mean less stress and burden for trans people and would reduce some of the pathologising elements of the process. If gender was truly liberated, we wouldn’t need to diagnose what expressions of gender are “normal”, we would celebrate a diversity of expressions, embodiments and feelings.

2. Feminism should reject the idea that gender is solely about biology
At this point there might be some people reading this who are thinking “BUT THERE ARE LADY PARTS AND MAN PARTS AND THAT IS SCIENTIFIC FACT”. I’m not going to give you an introductory gender studies lecture here (though it might help to read some Fausto-Sterling). I will say that the point of feminism shouldn’t be to work out exactly how “gender” works on a biological “sex” level, but rather, to fight for gender emancipation beyond the narrow dictates of biology. In basic terms that means we should be fighting for people’s ability to live a happy and healthy life no matter what chromosomes and dangly fleshy bits they had at birth or not. Seems obvious eh.

tumblr_n4chv8Kp7V1suxeeyo1_500-300x300As Simone de Beauvoir famously stated, “One is not born, but rather becomes, a woman”. Her main point was that the barriers women face are not naturally determined by “sex”, but rather, are the result of a sexist society where women are enculturated into the punishing rules of “womanhood”. Meanwhile, the Freemans of the world would prefer much stricter barriers about who counts as a “woman”, and thus sit in direct contradiction to de Beauvoir. When Freeman says, “there are significant physical differences between male-born bodies and female-born ones, and the latter have long been at a disadvantage” she strangely re-naturalises sexism as founded in biology. Ironically such an approach merely strengthens the rules of “womanhood”, rather than understanding that the issue definitely isn’t as simple as birth-biology (we are left wondering, for example, what about trans men in all of this?!).

3. Being trans-inclusionary doesn’t mean we have to stop talking about bodies
Taking on board the idea that “one is not born…a woman” doesn’t mean we should ignore the material body altogether, as if bodies aren’t at all relevant to identity or feelings or our experience of the world. Just because the rules of gender are “social” doesn’t mean that these rules are not deeply felt and embodied, or perhaps feel at odds with one’s bodily experience.

6eaa122977ccb679383bedef266050c3Freeman claims that there is a massive issue with trans feminists who critique the centring of reproductive systems. She states, “I’m trying to think of anything more patriarchal than telling women to stop fussing about vaginas at a Women’s March”. What Freeman misses is that the issue isn’t talking about bodies and the material experience of gender altogether, the problem is creating a reductive version of feminism where vagina = woman and where this is made into the central focus of collective action. This doesn’t mean we can’t talk about issues like abortion, pregnancy, or periods either (all issues which affect a range of gendered peoples), it just means that we shouldn’t make biology the basis for our collective resistance.

4. Lots of people experience violence because of gender and that could be the basis for solidarity 
Making things harder for trans people won’t make cis women safe from gender based violence. Trans and gender non conforming people are subjected to staggering levels of violence on a daily basis, particularly in places like the UK where trans-exclusionary debates are rife, and where commentators like Freeman can get a platform with little rebuttal. It is a strange thing to claim that reducing the burdens on trans people via the GRA somehow endangers cis women, particularly when you don’t generally need whip out a birth certificate to access things like swimming pools or change rooms.

42B7CC9A00000578-4733888-image-a-4_1501115365120The claim that somehow “predatory men” will be emboldened to “come into female-only spaces unchallenged” is a transphobic furphy that’s been trotted out by right wing commentators for a long time now, and that has been extensively debunked. Instead of this smokescreen argument that merely acts to reinforce transphobic ideas, understanding the violence that trans and gender non conforming people also experience could be the basis for a shared movement against gender-related violence. The fact that gay men are also often the target of hate crime on the basis of homophobic ideas that gay men aren’t “manly” enough or are “too feminine” could also be something to keep in mind in terms of collective action here.

The fact that Freeman turns to “liberal men” as her problematic interlocutors in the trans feminism debate is absurd (hello, there are cis women who disagree with you too!) and it shows just how much she: a) doesn’t see solidarity beyond anti-trans cis feminists as an option; and b) sees “men” as the problem, rather than the (sexist, racist, homophobic) system. The ability to have a solid political response to issues around gender and transphobia isn’t determined by biology. That doesn’t mean cis men should be dominating panels on trans inclusion, but it does mean we shouldn’t see these men as the problem. The real problem is transphobia, let’s not get confused here.

tumblr_ow1ckfDbLX1ryh1zlo1_500If all of this seems pretty basic, it’s because it is. Fundamentally it doesn’t matter what  the relationship between biology (“sex”) and identity (“gender”) is, what really matters is treating human beings with dignity and celebrating the possibilities of gender. Because loosening the rules of gender, understanding gender and sexism beyond biology, talking about body issues but not reducing people to bodies, and thinking about how to have solidarity around the lived experiences of gender, should be fundamental to feminism. The alternative – the world that Freeman seeks to enforce – is not only a trans-exclusionary, it works against what decades of feminists have been fighting for.

Further Reading:
Kate Bornstein’s Gender Outlaw
The Transgender Studies Reader edited by Stephen Whittle and Susan Stryker
This amazing Transgender Studies Syllabus from Amy Billingsley
The Keywords special issue of Transgender Studies Quarterly
This report on LGBT Hate Crime and Discrimination in Britain 2017
This great video from ABC Comedy, So You Think You Can Trans

Edit: An earlier version of this article stated that the Gender Recognition Certificate would be used in place of a birth certificate, but is in fact used to issue a new birth certificate. For more information see: https://www.gov.uk/apply-gender-recognition-certificate/what-happens-next

Review: Jamila Rizvi’s Not Just Lucky

9780143783534Jamila Rizvi’s recently released book Not Just Lucky is basically a very long riff on the old saying, “carry yourself with the confidence of a mediocre white man”. This is a very useful adage, which works as a reminder of the ways that women are socially conditioned. I find myself repeating this saying to women in my life frequently, and it’s useful to have a  book that spends time unpacking ways that women are brought up with negative self-beliefs.

Rizvi is intent to present “solutions” not just “problems”, and so the book also provides a lot of extended advice on how to speak, dress, think, and act in ways that might get you ahead as a working woman (even though the book claims it’s not a self-help book, but a “career book”). It’s funny and well-written. I also appreciated the very organised bullet-point lists of recommendations – I daresay Rizvi and I are a similar collection of letters on the esoteric Myer-Briggs test.

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Obligatory selfie of me reading Not Just Lucky

But while I found myself nodding along to many of the passages exploring the sexism that women experience in the workplace and beyond, Rizvi’s solutions fall short. What is offered is at best a band-aid to the problems described, and at worst, a cruel promise that working hard and undertaking individual self-betterment can lead to certain success.

To be fair, Rizvi acknowledges from the outset that her book doesn’t have the solutions for fixing structural problems like childcare and the wage gap, but simply offers ways women can change their thinking that has resulted from structural enculturation.

I’m on board with women undergoing some gender-CBT, heck my job is literally to talk about gender and double standards and how things we think are innate are in fact social.

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I am more than ready for the “lady boss” obsession to end. Please end.

But presenting the antidote to women’s ills as endeavoring to be “brilliant” and offering a blueprint for how to succeed as a “lady boss”, is not what we need right now. In this day and age, when humans are staring extinction in the face, capitalism is in a late and hideous form, and there are right-wing forces mobilising around the world, these kind of liberal feminist solutions feel a little like over-prescribing antibiotics. Sure, it might help you feel in control of getting better, but it will make all of us more unwell in the long run.

I don’t want to sound like a broken record here, but the biggest blind spot is: you guessed it, class. While Rizvi acknowledges her own privileged upbringing as a limit to her ability to empathise, what is needed here is not an alternative individual view but rather a different analysis of how to fix a broken system. Of course proposing a workable solution requires identifying the underlying problem. If you ignore class, then you’re destined to merely tinker around with the symptoms.

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Rizvi’s book is similar to Sheryl Sandberg’s Lean-In

The thing is, all our problems don’t just boil down to how we are socialised. Rizvi claims that “the challenge for each of us is to rise above our own conditioning”. But thinking about the pitch of my voice at work, or asking for a salary increase, isn’t really going to make a huge difference – except of course, for me as an individual. That doesn’t mean that we shouldn’t question gender norms, but it does mean that we might have to go beyond ways of individually speaking, dressing, thinking, and acting, if we want to make substantive change.

I was a little surprised that Rizvi stayed so closely to discussing things individuals can do, given that she claims in the beginning of her book the work is “unashamedly feminist”, and also notes at the end that “it is only together that we can change the world”. These words remain, for the most part, vague gestures. I can well imagine my grandma reading this book and saying to me “we were talking about these issues in the 70s”. That’s the point isn’t it: gender inequality is a persistent problem. If you want to acknowledge the changes in our lives for the better that have occurred, you have to talk about the struggles and the tactics that have gone before.

ednext_20124_guthrie_openerWhat’s interesting here is that Rizvi and I are the same age, and we went to the same university, at the same time (and did student politics together – I was in the Labor students club that she was the leader of). Unlike Rizvi though, I came from a very poor single-parent family. Yet, we both were able to get stellar educations. Despite my low SES background, there were quite a few structural supports in place such as public housing and welfare support, as well as decent free primary and secondary schooling, that meant I could get a leg up. I would be remiss if I didn’t point out that some of these structural supports were targeted by the very Gillard government Rizvi fondly remembers working for.

Rizvi does suggest that there are policies that need to change in order to best address gender inequality. Rizvi also makes one note about unions, and a worker’s strike in Brisbane in 1912. These pages provide a short breath of fresh air in the discussion about how to make change. But strangely Rizvi moves seamlessly from discussing the importance of joining your union, to how to treat the symptoms of an unfair system which includes how to be a great boss.

I think is somewhat of an indicator of what’s wrong with contemporary Labor politics. It’s not really about representing the working class, because the interests of bosses are seen as equally important. Rather than seeing how being in the position of boss under capitalism necessitates exploiting those below you, not attending to class at all means you can’t acknowledge nor resolve that power dynamic. Here’s the rub: CEOs and working class people do not share the same interests, even if they share the same gender identity.

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Rizvi brings up Elsa quite a bit so this feels relevant

This book is explicitly inspired by the Sheryl Sandberg Lean In idea: the cruelly optimistic notion that you too can succeed, if you employ the correct tactics. But in a world that is becoming more and more unequal in terms of the distribution of wealth, where a handful of corporations own pretty much everything, and where capital and profit is valued over human and environmental well-being, success cannot be measured by how well you individually survive the fire.

Rizvi proposes that it’s not really luck but hard work that gets you ahead as a woman. We would do well to question whether the ceiling is really a class one that needs to be broken, in order to make lasting change for the lives of women at large.

Give Drag a Chance

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Priscilla, queen of my heart

When I was a little girl, I loved drag queens more than anything. It was back in the days when video stores were still around, and my babysitter asked me which film I wanted to rent. Of course I said Priscilla Queen of the Desert, which was my absolute favourite as an eight year old, and I couldn’t believe she hadn’t seen it already. By the end of the film she was rather shocked, but I remember thinking thank god I am a girl. My thought was that if I had been a boy I would have had to be a drag queen, and things would have been really tough. To me being a feminine as a girl was like being a drag queen too, you just didn’t get hate for it.

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Paris is Burning

Priscilla, and films like Paris is Burning before it, helped to make drag intelligible to a mainstream audience. Today RuPaul’s Drag Race continues to work that magic, bringing a greater awareness of drag culture as well as a diversity of queens into the spotlight with each season.

But even though everyone is watching Drag Race, word on the street for those in the know is that you’ve got to be a bit careful because drag queens are, well, a bit of a drag. So the story goes, drag queens—at least those “normy” hyper-feminine ones—are just reinforcing every stereotype of womanhood that feminism has ever fought against.

Strangely this critique of drag comes from two, usually wildly oppositional, directions within discussions of gender.

578579The first is from trans-exclusionary radical feminist types, who conflate gay male culture with drag queens with transgender identity. Such perspectives see gay men, drag queens, and trans women as responsible for propping up fantasies of femininity that only serve to oppress women. Germaine Greer famously stated in The Female Eunuch 1970: “I’m sick of being a transvestite. I refuse to be a female impersonator. I am a woman, not a castrate”. Greer’s suggestion here is that there is some form of “natural” womanhood that can be liberated from the dictates of culture. Similarly, and more recently, Sheila Jeffreys has even argued that drag kings distort lesbian culture and the celebration of “natural” womanhood. She writes: “If the suffering and destruction of lesbians is to be halted then we must challenge the cult of masculinity that is evident in such activities as drag king shows”. These views are rife with homophobia and transphobia, as well as massive conflations and wild leaps that see men, masculinity, and femininity, as the true oppressors of women.

license-shutterstock_178095647z-56cddde63df78cfb37a34dedI don’t have much time for these views, which encourage us to believe that the biggest threats to women are trans women, drag queens, and gay men. This view distorts Marxist theory to argues that men in particular are *the* class that oppresses women, and sees the liberation that is to be won as a liberation from “gender”. Luckily the currency of radical feminism in academic spaces seems to be waning. But when overall activist struggle in society is low, it is easy for people to slip into arguing that we are each other’s problem, that if only we could free ourselves from gender we’d be truly liberated. It’s a much easier argument to make than organising to transform the fundamental economic arrangement of society, and it makes space for all kinds of class collaboration between powerful women and poor women alike (even if it means at the end of the day that power doesn’t actually shift).

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I heart Judy B 4eva

Understandably in many queer critical circles, no one has much time for radical feminism. For example Judith Butler—our queer theory queen writ large—has openly critiqued Jeffreys, describing her views on trans women as a “feminist tyranny”. At the end of Gender Trouble (1990) Butler famously held drag queens up as exemplars of gender subversion. There was of course a lot of responses to this, but much of these debates focused on whether drag really was the best example of the theory of gender performativity that Butler was proposing.

herofille2So that’s why it’s kind of surprising to hear people within queer communities suggesting now that drag, in its mainstream formations, is a problem. From this perspective drag, if performed by ostensibly cis males, reproduces misogynistic ideas of femininity and is really just another expression of the “gay-triarchy“. Drag that is seen as more alternative in these scenes is drag performed by faux-queens (women performing as drag queens), or drag that queers gender in some way, like the intense influx of bearded-queens we’ve seen in recent years.

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I love Sasha but I don’t doubt we occupy the same ivory tower

Within the land of RuPaul, this desire for more alternative drag to address the “problems” of drag culture is summed up by Sasha Velour. Now, there is no way that I am not #TeamSasha, obviously I love Sasha. But she also represents an extremely mobile, well-educated subset of drag culture, who can quote Butler and play with the expectations of drag (like, having a bald head) because let’s face it, they’re still going to get by even if they don’t win $100,000.

What the queer critique of drag shares with the radical feminist perspective is the view that we are one another’s oppressors, and that if we manage to transform our individual gendered selves in a particular way, this can contribute to liberation. For the rad fems this might mean rejecting expectations of femininity and trying to embody “natural” womanhood. From the queer perspective this might mean rejecting anything perceived as mainstream and normative. The conclusions are the same: do your politics through your body, and reject those individuals who don’t.

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The cast of Season 9

Let’s pause here to imagine why someone might get into drag (noting that the great thing about Drag Race is that we get to hear some of these reasons). For some, drag offers a space to play around with femininity, after growing up as a “weird” kid who didn’t meet the expectations of masculinity. For others, drag is a way of working through questions of sexual and/or gender identity. For many that have been kicked out of home or found themselves rejected by society at large, drag offers a space for new forms of family to emerge.

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Drag queens can be comrades too

For many, drag is a mode of survival, socially and economically. Drag queens struggle with expectations around femininity too. Drag queens don’t oppress women: the struggle against sexism is a shared one. There is a lot to be learned from RuPaul’s constant reminder that “we’re all born naked and the rest is drag”.

So, let’s celebrate those drag queens that can push boundaries and show us new ways to think about gender, but let’s embrace those “normy” queens too. This doesn’t mean everything in drag culture should be immune from critique, but it does mean we should give drag a chance. After all, the struggle is best won together, not alone, and drag queens are not the enemy.

This Jumpsuit Won’t Save Your Life

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The logo of RDS

Sometime last year I stumbled across the “Rational Dress Society“—a Chicago-based fashion/art duo, whose claim to fame is the production of a jumpsuit that promises to help “reject the signs of class, race and gender that are inscribed onto our daily interactions”. Their successful 2014 Kickstarter sported a Wes-Anderson-ish explainer video of a jumpsuit clad model who asks the audience, “What stands between you and revolution?” and answers, “Nothing.” The video implores viewers to reject other fashion in favour of the jumpsuit (“available in 48 sizes”), as an exercise in counter-fashion designed to unite everyone under the same style.

 

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An image from the Rational Dress Kickstarter page

As an academic in gender studies, naturally I wanted in on this so-called “ungendered monogarment“. I bit the bullet with the American exchange rate and shipping(!), ordered one, and promised myself I’d wear it for a full month to see how liberating wearing a practical, daily uniform could be. I’d record the process, do a study of my experiences. I imagined how I’d explain it at work, to my students. Maybe I really would feel liberated. My girlfriend kept asking me how and when I’d wash it, but I’d just smile. I imagined the Rational Dress Society would say You don’t need to wash clothes when you’re free from all that social malarky.

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Me in the moments prior to trying on the jumpsuit (I was trying to capture the supposed tyranny of “non-rational” dressing)

Twelve weeks later—and after sending in some measurements—my hipster singlesuit arrived in the mail. I feverishly stripped off to jump into it. Despite my extreme skepticism that a single garment could free me from oppression, I was genuinely excited to try something on that was made specifically for my body, that would finally fit, unlike all those sad things I’d previously ordered off the Internet (you know how it is: the too-small shoes, the dress that you have to squeeze into like a sausage, the pants that fall down around your bum).

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Moments later in the sad sad jumpsuit

But alas. I had never been in a more ill-fitting piece of clothing in my life. It was precisely all of the measurements that I didn’t have to record that were the problem—the width of my calves, for example. I was intensely confronted with the fact that my body was “ill-proportioned”, that is, that even with 48 sizes on offer finding something that fit long but thick legs and wide hips but a tiny waist and chest, was impossible.

Ironically it was the one piece of clothing that promised freedom from gender that made me feel the non-conformity of my body on a visceral level. I’d had a sneaking suspicion for some time that clothing wasn’t the key to gender liberation, and this seemed to be some proof in the pudding.

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Effie Trinket from The Hunger Games: femme-ing it up in the revolutionary compound

Cards on the table: my whole PhD was basically an extremely long-winded answer to the question “will feminine styles exist after the revolution?”, and my vehement answer was yes.

Of course we could debate what “feminine styles” means. But my main point was that people have attachments to gendered ways of presenting themselves, and that even though feminine beauty regimes and ways of dressing aren’t biologically-inherent (girls don’t naturally like pink and indeed, norms of gender are social), that doesn’t mean makeup and dresses and glitter and all those things would just wither away if we finally managed to smash capitalism. In the liberated world of gender that I hope for, your biology wouldn’t determine your gender or how you had to present yourself, but, there’d be a hell of a lot of room for experimentation, switching between many genders, and playing with presentation and costumes (much like when you’re a child, and you get to play dress ups).

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Me before I got “schooled”

Part of my attitude on this question, is that I’m just so damn obsessed with and attached to femininity. For me it certainly wasn’t a “natural” inclination—until I went to school, I was pretty androgynous, with a home-made haircut, adorned in skivvies and flannelette. As the child of a radical single mother, I was discouraged against buying into traditional femininity. But once I got to school, it was on. I wanted to fit in as a “girl”.

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I missed the memo that said how big bows were meant to be

So my relationship to femininity started from a difficult place. But as I became obsessed with plastic jewels and wearing tutus over my track pants, god, it was fun. I started dressing by theme—my favourite of which was my “licorice allsorts” outfit, which was just me in all the neon clothes I had from the op shop, punctuated by black socks and a black hair tie. I would also cut the waist ties off my dresses and get my mum to sew them into headbands for me so I could match from head to toe. And, I held not one but three makeup parties, where the aim was to use the eyeshadows and pencils to draw as many cool things on each other’s faces as possible. Sure, I missed the mark on conventional femininity, but it was those elements of feminine style—the campy, glittery, over-the-top aspects of femininity—that won my heart. So, when I think of a liberated future, I tend not to think of monochrome jumpsuits that eliminate difference.

But I’ve had to debate my perspective with a lot of people.

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At the Miss America Protest

Indeed, the history of feminism has been haunted by the conundrum of fashion and self-presentation. Infamously, women in the USA in 1968 protested the Miss America pageant, which included (among other things) throwing items of women’s clothing, makeup and magazines into a “freedom trash can”. Some say that this is where the myth of the “bra-burning” feminist began, though it must be noted that despite the desire of protesters to burn the contents of the bin, the fire department refused a permit. While the stunt was great for getting attention on the burgeoning women’s movement, one of the downsides of the event was that the protestors targeted the Miss America contestants themselves, not just the pageant organising body. They held signs which called the women sheep, and, actually paraded sheep—again, pretty cool, but a bad message.

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Sheep at the Miss America Protest

This focus on the bodily and stylistic pursuits of women themselves reached fever pitch in the 1980s, with radical feminists such as Sheila Jeffreys claiming that wearing makeup was akin to self-harm as per the United Nations guidelines on torture. The story had morphed from the kind of points earlier feminists made about the negative expectations placed on women around social roles and bodily maintenance, to one where women themselves were really the problem, for being such dummies about their oppression. As Ariel Levy’s best-selling book of 2005 argued, in a surprise twist it turned out that women were really the worst sexists of them all, the “female chauvinist pigs”.

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Who could forget the Spice Girls in this story of femininity 

However, in response to these particular strands of feminism, so too was there a concerted effort (mostly in the 1990s, but let’s be real, we’re still living with the aftermath) to argue for the empowering and liberatory effects of “girl power“. The problem with this version of feminism wasn’t just that it was instantly recuperated into a market that sold it back to us, but that it claimed that femininity was empowering. This form of feminism has insidiously morphed into the celebrity feminism that we are pummelled with today, that suggests feminism means basically anything to anyone, as if it’s just another beautiful choice under neoliberal capitalism.

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From the Rational Dress Society Instagram page

I don’t think we have to get into this binary way of thinking about feminine styles, to make such big claims about it being The Worst Thing Since Torture, or flipping right over and saying it is The Best Thing Ever. At the very least, it’s interesting. Gender expectations are painful, but gender, in more general terms, doesn’t have to be.

So I returned the jumpsuit, and felt all the better for having that tyrannical object of sameness out of my life.